{"id":384,"date":"2026-05-18T08:08:06","date_gmt":"2026-05-18T08:08:06","guid":{"rendered":"https:\/\/tolksen.org.tr\/?p=384"},"modified":"2026-05-18T08:12:06","modified_gmt":"2026-05-18T08:12:06","slug":"kitap-kulubunun-ikinci-bulusmasi-kahire-modern-uzerine","status":"publish","type":"post","link":"https:\/\/tolksen.org.tr\/en\/2026\/05\/18\/kitap-kulubunun-ikinci-bulusmasi-kahire-modern-uzerine\/","title":{"rendered":"Reflections on Cairo Modern"},"content":{"rendered":"<p>Kitap Kul\u00fcb\u00fcm\u00fcz\u00fcn ikinci toplant\u0131s\u0131n\u0131 \u00e7imlerin \u00fczerinde ger\u00e7ekle\u015ftirmeyi planlam\u0131\u015ft\u0131k. Ancak ya\u011fmur nedeniyle yine k\u00fc\u00e7\u00fck ve m\u00fctevaz\u0131 toplant\u0131 salonumuzda bir araya geldik. Buna ra\u011fmen ilk toplant\u0131ya g\u00f6re kat\u0131l\u0131m daha az olsa da \u00e7ekingenliklerin azald\u0131\u011f\u0131, samimiyetin daha da artt\u0131\u011f\u0131 keyifli bir bulu\u015fma oldu.<\/p>\n\n\n\n<p>Bu ayki konu\u011fumuz, Nobel \u00f6d\u00fcll\u00fc M\u0131s\u0131rl\u0131 yazar Necip Mahfuz; kitab\u0131m\u0131z ise <em>Kahire Modern<\/em><\/p>\n\n\n\n<p>1988 y\u0131l\u0131nda Nobel Edebiyat \u00d6d\u00fcl\u00fc\u2019n\u00fc alan Necip Mahfuz, bu \u00f6d\u00fcle sahip ilk ve tek Arap yazar olarak edebiyat tarihinde \u00f6nemli bir yere sahiptir. Toplumsal ger\u00e7ek\u00e7ilik ak\u0131m\u0131n\u0131n g\u00fc\u00e7l\u00fc temsilcilerinden biri olan Mahfuz, eserlerinde yaln\u0131zca M\u0131s\u0131r toplumunun sorunlar\u0131n\u0131 anlatmakla kalmaz; sembolik anlat\u0131m\u0131yla insanl\u0131\u011f\u0131n ortak ya\u015fam m\u00fccadelesine de \u0131\u015f\u0131k tutar.<\/p>\n\n\n\n<p><em>Kahire Modern<\/em> ile birlikte 1930\u2019lu y\u0131llar\u0131n modernle\u015fme \u00e7abas\u0131ndaki M\u0131s\u0131r\u2019\u0131na bir yolculuk yapt\u0131k. Roman\u0131 de\u011ferlendirirken yaln\u0131zca karakterleri de\u011fil; M\u0131s\u0131r\u2019\u0131n tarihi, d\u00f6nemin siyasi yap\u0131s\u0131n\u0131, ba\u011f\u0131ms\u0131zl\u0131k m\u00fccadelesini, toplumsal d\u00fczenini ve insanlar\u0131n ya\u015fam ko\u015fullar\u0131n\u0131 da konu\u015fma f\u0131rsat\u0131 bulduk.<\/p>\n\n\n\n<p>Toplant\u0131n\u0131n en yo\u011fun tart\u0131\u015fmalar\u0131 Mahcub Abd\u00fcddaim karakteri etraf\u0131nda \u015fekillendi. Mahcub\u2019un idealleri ile hayat\u0131n ona sundu\u011fu f\u0131rsatlar aras\u0131nda ya\u015fad\u0131\u011f\u0131 \u00e7at\u0131\u015fma, modern insan\u0131n \u00e7\u0131kar ve ahlak aras\u0131nda s\u0131k\u0131\u015fmas\u0131n\u0131 g\u00fc\u00e7l\u00fc bi\u00e7imde yans\u0131t\u0131yordu. Baz\u0131 \u00fcyeler onun se\u00e7imlerini sert \u015fekilde ele\u015ftirirken, baz\u0131lar\u0131 ise ekonomik \u00e7aresizlik ve toplumsal bask\u0131n\u0131n insan\u0131 d\u00f6n\u00fc\u015ft\u00fcrebilece\u011fini savundu.<\/p>\n\n\n\n<p>\u201cMahcub\u2019un ba\u015fka bir tercihi olabilir miydi?\u201d Baz\u0131 \u00fcyeler, her insan\u0131n \u015fartlar ne kadar zor olursa olsun do\u011fruyu se\u00e7me ihtimali bulundu\u011funu savundu. Onlara g\u00f6re Mahcub, zorluklar\u0131 bahane ederek kendi vicdan\u0131n\u0131 susturmu\u015ftu. Ancak ba\u015fka bir g\u00f6r\u00fc\u015fe g\u00f6re ise a\u00e7l\u0131k, yaln\u0131zl\u0131k ve umutsuzluk i\u00e7indeki bir insan\u0131n se\u00e7imleri tam anlam\u0131yla \u00f6zg\u00fcr say\u0131lamazd\u0131. \u00c7\u00fcnk\u00fc insan bazen ideallerinden \u00f6nce hayatta kalmay\u0131 d\u00fc\u015f\u00fcnmek zorunda kalabiliyordu.<\/p>\n\n\n\n<p>Toplant\u0131da \u00fczerinde durulan bir di\u011fer karakter ise Ali Talha oldu. Ali Talha\u2019n\u0131n d\u00fc\u015f\u00fcncelerine ba\u011fl\u0131 kalabilmesi ve sisteme kar\u015f\u0131 direnebilmesi bir\u00e7ok okuyucu taraf\u0131ndan takdir edildi. Ancak \u015fu soru da \u00f6nemli bir tart\u0131\u015fma ba\u015fl\u0131\u011f\u0131 haline geldi: \u201cAli Talha\u2019n\u0131n maddi kayg\u0131lar\u0131 olsayd\u0131 yine ayn\u0131 \u015fekilde direnebilir miydi?\u201d Bu soru, ekonomik \u00f6zg\u00fcrl\u00fc\u011f\u00fcn insan\u0131n d\u00fc\u015f\u00fcncelerini savunabilme cesaretiyle ne kadar ba\u011flant\u0131l\u0131 oldu\u011funu sorgulamam\u0131za neden oldu.<\/p>\n\n\n\n<p>\u0130hsan karakteri ise toplum bask\u0131s\u0131 alt\u0131nda ezilen bireyi temsil eden \u00f6nemli bir fig\u00fcr olarak de\u011ferlendirildi. \u00d6zellikle kad\u0131nlar\u0131n ekonomik ve sosyal \u015fartlar nedeniyle istemedikleri hayatlara s\u00fcr\u00fcklenmesi \u00fczerine yap\u0131lan yorumlar dikkat \u00e7ekiciydi. Baz\u0131 \u00fcyeler, \u0130hsan\u2019\u0131n daha \u00f6zg\u00fcr bir toplumda \u00e7ok farkl\u0131 bir ya\u015fam s\u00fcrebilece\u011fini ifade etti. B\u00f6ylece insanlar\u0131n kaderini yaln\u0131zca kendi kararlar\u0131n\u0131n de\u011fil, i\u00e7inde ya\u015fad\u0131klar\u0131 toplumun da \u015fekillendirdi\u011fi d\u00fc\u015f\u00fcncesi \u00f6ne \u00e7\u0131kt\u0131 ama baz\u0131 \u00fcyelerimiz yine \u0130hsan\u2019\u0131n da se\u00e7me \u015fans\u0131n\u0131n oldu\u011funu ancak onun i\u00e7inde bulundu\u011fu durumu tercih etti\u011fini \u00f6ne s\u00fcrd\u00fc.<\/p>\n\n\n\n<p>Toplant\u0131n\u0131n en g\u00fczel yanlar\u0131ndan biri ise herkesin ayn\u0131 kitab\u0131 okuyup farkl\u0131 ayr\u0131nt\u0131lar yakalamas\u0131yd\u0131. B\u00f6ylece kitap yaln\u0131zca okunmu\u015f de\u011fil, birlikte yeniden yorumlanm\u0131\u015f oldu.<\/p>\n\n\n\n<p>Bu bulu\u015fma, bizler i\u00e7in k\u0131sa ama anlaml\u0131 bir yolculu\u011fa d\u00f6n\u00fc\u015ft\u00fc. G\u00fcnl\u00fck i\u015flerin, evraklar\u0131n ve rutin sorumluluklar\u0131n aras\u0131ndan s\u0131yr\u0131larak kendimizi bir anda Kahire sokaklar\u0131nda bulduk. Roman\u0131n kahramanlar\u0131yla birlikte yaln\u0131zca bir hik\u00e2yeye de\u011fil; insanlar\u0131n ya\u015fam m\u00fccadelelerine, toplumsal d\u00fczene ve insan psikolojisine de tan\u0131kl\u0131k ettik.<\/p>\n\n\n\n<p>Necip Mahfuz, y\u0131llar \u00f6nce yazd\u0131\u011f\u0131 bu eserle bug\u00fcn hala ge\u00e7erlili\u011fini koruyan sorular sormay\u0131 ba\u015fard\u0131.<\/p>\n\n\n\n<p>Kitap kul\u00fcb\u00fcm\u00fcz de tam olarak bu y\u00fczden k\u0131ymetlidir. Her toplant\u0131da yaln\u0131zca bir eser okunmuyor; farkl\u0131 bak\u0131\u015f a\u00e7\u0131lar\u0131 ke\u015ffediliyor, yeni d\u00fc\u015f\u00fcnceler do\u011fuyor.<\/p>\n\n\n\n<p>Toplant\u0131m\u0131z\u0131n sonunda \u00fc\u00e7\u00fcnc\u00fc bulu\u015fmam\u0131z i\u00e7in kitap \u00f6nerilerini konu\u015ftuk ve yeni kitab\u0131m\u0131z\u0131 bir anketle belirlemeye karar verdik. Se\u00e7ilecek kitap i\u00e7in \u015fimdiden heyecanlan\u0131yoruz. \u00c7\u00fcnk\u00fc her kitap yeni bir yolculuk demek\u2026 Bazen Kahire sokaklar\u0131nda y\u00fcr\u00fcmek, bazen ba\u015fka \u00fclkelere gitmek\u2026,&nbsp; bazen de insan\u0131n kendi i\u00e7ine d\u00f6nmesi\u2026<\/p>\n\n\n\n<p>Belki de en g\u00fczel yolculuklar, bir kitab\u0131n ilk sayfas\u0131n\u0131 a\u00e7\u0131nca ba\u015flayanlard\u0131r.<\/p>\n\n\n\n<p>Bu nedenle t\u00fcm kitap kul\u00fcb\u00fc \u00fcyelerimizi, hava ko\u015fullar\u0131 izin verirse \u00e7imlerin \u00fczerinde ger\u00e7ekle\u015ftirmeyi planlad\u0131\u011f\u0131m\u0131z \u00fc\u00e7\u00fcnc\u00fc toplant\u0131m\u0131za bekliyoruz.<\/p>\n\n\n\n<p>\u00c7\u00fcnk\u00fc,&nbsp; Charlotte Bront\u00eb der ki<\/p>\n\n\n\n<p>\u201cKitaplar, d\u00fcnyay\u0131 dola\u015fmadan seyahat etmenin en ucuz yoludur.\u201d<\/p>\n\n\n\n<p class=\"has-text-align-right\"><br>\u00dcyemizden (S.K.)<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Kitap Kul\u00fcb\u00fcm\u00fcz\u00fcn ikinci toplant\u0131s\u0131n\u0131 \u00e7imlerin \u00fczerinde ger\u00e7ekle\u015ftirmeyi planlam\u0131\u015ft\u0131k. Ancak ya\u011fmur nedeniyle yine k\u00fc\u00e7\u00fck ve m\u00fctevaz\u0131 toplant\u0131 salonumuzda bir araya geldik. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[12,8],"tags":[],"class_list":["post-384","post","type-post","status-publish","format-standard","hentry","category-uyemizden-s-k","category-yazilar"],"_links":{"self":[{"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/posts\/384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/comments?post=384"}],"version-history":[{"count":3,"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/posts\/384\/revisions"}],"predecessor-version":[{"id":389,"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/posts\/384\/revisions\/389"}],"wp:attachment":[{"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/media?parent=384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/categories?post=384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tolksen.org.tr\/en\/wp-json\/wp\/v2\/tags?post=384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}